Dear Friends of CPCT,

We’re pleased to announce a new partnership with Shakespeare in Philosophy (ShiP), a non-profit symposium series exploring the relation between Shakespeare and the philosophical work that has taken inspiration from his oeuvre. Its goal is to create a space for dialogue and discussion involving Shakespeare scholarship, wider philosophical and socio-political issues, and the general public. Events are held in collaboration with Garrick’s Temple to Shakespeare at the Temple built by the pre-eminent actor David Garrick beside the Thames in 1755.

ShiP’s next event is on 14 June 2025 on ‘Shakespeare and the Slovenian School of Philosophy and Psychoanalysis’—for booking, please register here.

About the event

Saturday, June 14, 2025 from 10:00-19:00 BST
Garrick’s Temple to Shakespeare, Hampton, UK

For the Slovenian School of Philosophy and Psychoanalysis, a loose association of thinkers which grew out of dissident movements in socialist Yugoslavia, Shakespeare has always been a reference point – especially Hamlet and its reception by Hegel, Marx, Freud and Lacan. The title of one of Slavoj Žižek’s early books, Looking Awry, is taken from Richard II, and other members of the School have also used Shakespeare to think through the role of representation in politics and culture. Furthermore, the Slovenian School has always been in close dialogue with the artists, musicians and stage practitioners of the group Neue Slowenische Kunst who have been involved in diverse Shakespearean projects. Laibach’s involvement in the Macbeth production of Wilfried Minks and Peter Zadek is to be mentioned in this context, as well as several works of the Scipion Nasice Sisters Theatre (SNST). As SNST co-founder Eda Čufer writes, “Shakespeare exposed the theatrical aspects of establishing and transgressing the law, and made transparent the structural similarities between the ‘deeds’ of legal authorities, criminals (terrorists) and artists (activists).” This symposium will explore the complex history of this statement and its relevance for the relation between theatre, psychoanalysis, politics and philosophy in the present.

There are four types of tickets available:

• £20 ticket (+Eventbrite fee) includes admission, sandwich lunch at the Bell Inn as well as tea and coffee during breaks. NOTE: due to catering demands the sale of ticket ends a week before the event.
• £10 ticket includes admission, tea and coffee during breaks
• Online ticket, free, possibility to donate to the Temple
• Community ticket: a limited number of tickets is available for those unable to pay. Please note this does not include lunch.

The event will be partially hybrid (one session) and as a whole will be streamed via Zoom.

All proceeds go to the Temple.

Programme

10:00-11:00
(Chair: Björn Quiring)
Short intro
Gregor Moder: Caesar’s Wounds

11:00-11:30
Coffee/tea

11:30-13:15
(Chair: Julia Ng)
11:30-12:15
Dominik Finkelde: The Remains of Richard II: Santner and Žižek on Political Flesh

12:15-13:15
Jure Simoniti: What Remains of Hamlet After Death?

13:15-15:00
Lunch

15:00-15:45
(Chair: Jennifer Rust)
Todd McGowan: Hegel as Philosophy’s Shakespeare: Drama and the Unconscious
(Zoom)

15:45-16:45
(Chair: John Gillies)
Eda Cufer and Miran Mohar: NSK Theater: Play Within a Play (hybrid)

16:45-17:15
Coffee/Tea

17:15-18:00
(Chair: Stuart Elden)
Richard Ashby: Face-Off: Defacement, Ethics and the ‘Neighbour’ in “The Comedy of Errors”

18:00-19:00
Roundtable (Chair: Björn Quiring)

* * *
This event has been made possible through the generous support of The Royal Institute of Philosophy Local Partners scheme.