The Centre for Philosophy and Critical Thought, Goldsmiths University of London

Research Centre run jointly between the Departments of Sociology and English and Comparative Literature at Goldsmiths University, London


Leave a comment

BOOK DISCUSSION — Resisting Erasure: Capital, imperialism, and race in Palestine — with authors Adam Hanieh and Rafeef Ziadah (11 Dec, in person)


The Centre for Philosophy and Critical Thought at Goldsmiths cordially invites you to

Resisting Erasure: Capital, imperialism, and race in Palestine (Verso 2025) 


A book discussion with authors Adam Hanieh and Rafeef Ziadah in conversation with Luca di Mambro

Thursday, 11 December 2025
3:00-5:30pm GMT 
Ben Pimlott Lecture Theatre, Goldsmiths 

[Please book here to give us an idea of numbers: https://www.eventbrite.co.uk/e/resisting-erasure-in-palestine-tickets-1972565174537?aff=oddtdtcreator&lang=en-gb&locale=en_GB&status=30&view=listing]

Why has Palestine become a defining fault line of contemporary politics? Challenging mainstream narratives that reduce Palestine to ancient hatreds, humanitarian tragedy, or legal abstractions, Resisting Erasure places Israeli settler-colonialism within the broader historical arc of imperialism, race, and fossil capitalism in the Middle East. Resisting Erasure is a succinct and far-reaching critique of the socio-economic and political forces that sustain the Israeli settler-colonial project. An essential introduction for anyone looking to understand what Palestine reveals about the world – and what it demands of us today.

Join us for this book launch with authors Adam Hanieh (Exeter) and Rafeef Ziadah (King’s College London) in conversation with Luca di Mambro (student organiser and former Goldsmiths Students’ Union President). 

Chair: Sara Farris (Sociology / CPCT)

The event is organised in collaboration with members of the Sociology Department and the Centre for Philosophy and Critical Thought at Goldsmiths University of London.

Free and open to the public; all welcome. 

Contact: s.farris [at] gold.ac.uk 
 


Leave a comment

Arun Saldanha (U Minnesota; CPCT Visiting Professor): Sexuation and the ontology of race: notes towards a Darwin after Fanon (21 November 2025 @5pm; hybrid)


The Centre for Philosophy and Critical Thought (CPCT), Goldsmiths, cordially invites you to


Arun Saldanha (U Minnesota; CPCT Visiting Professor)

Sexuation and the ontology of race: notes towards a Darwin after Fanon

Friday, 21 November 2025 from 5-7 pm GMT
RHB 137a and online

[Click here for the Zoom registration]

Psychoanalytical theory has done systematic work to ontologize sex as the irrepressibly insistent question spurring human existence. But is there only one such question? While for obvious ethico-political reasons Lacanian theorists of race relegate it entirely to the symbolic register and to modernity, perhaps the fact bodies become objects of such strongly racialized desires indexes a second profound ontological compulsion. Perhaps, as Darwin speculates with his theory of sexual selection, the aesthetic and psychic economies of sex itself necessitate a sensitivity to phenotype. Both sexuality and kinship remain riddled by lack and misinterpretation. It is important to stress that as subset of phenotypical variation “race” is entirely contingent on European colonization and capital. The talk will end by addressing the implications of the immanent critique of evolutionary theory for a renewed politics of universality. 

About the speaker

Arun Saldanha is Professor in the School of Geography, Environment & Society at the University of Minnesota (Twin Cities) as well as Visiting Professor at CPCT in Autumn 2025. The author of Space after Deleuze (Bloomsbury, 2017) and Psychedelic White: Goa Trance and the Viscosity of Race (U of Minnesota Press, 2007) as well as co-editor of books on sexual difference, Deleuze studies, and food geographies, he is currently working on a new book tentatively titled Phenotypically: A Materialist Theory of Race, which seeks a critical “return to” Darwin after Fanon in light of a resurgence of far-right fantasies around human biology.

Contact: j.ng [at] gold.ac.uk


Leave a comment

Jodi Dean, Capital’s Grave: A Forum (26 June 2025; hybrid)

The Centre for Philosophy and Critical Thought (CPCT), Goldsmiths, cordially invites you to

Jodi Dean

Capital’s Grave: A Forum 

Thursday, 26 June 2025, 4–6pm BST 
RHB 137a and online (hybrid)  

With responses from: 
Svenja Bromberg (CPCT)
Peter Hallward (CRMEP)
James Martel (San Francisco State) 

(Register here for Zoom link)

Jodi Dean and three of her readers, Svenja Bromberg (CPCT Goldsmiths), Peter Hallward (CRMEP) and James Martel (San Francisco State), will be discussing her claims that capitalism is giving way to something that is arguably worse than capitalism itself: a form of neofeudalism that combines the worst elements of both capitalism and feudalism and adds terrible new features of its own. In this conversation, Dean and her interlocutors will discuss both the argument itself as well as its implications for resistance as we move into unprecedented and unparallelled times.  

About the speaker
Jodi Dean teaches and organizes in upstate New York. Her books include The Communist Horizon (2012), Crowds and Party (2016), Comrade: An Essay on Political Belonging (2019), and Capital’s Grave: Neofeudalism and the New Class Struggle (2025).

Contact: j.ng [at] gold.ac.uk 


Leave a comment

New partnership with Shakespeare in Philosophy (ShiP), Symposium on “Shakespeare and the Slovenian School of Philosophy and Psychoanalysis” (14 June 2025)


Dear Friends of CPCT,

We’re pleased to announce a new partnership with Shakespeare in Philosophy (ShiP), a non-profit symposium series exploring the relation between Shakespeare and the philosophical work that has taken inspiration from his oeuvre. Its goal is to create a space for dialogue and discussion involving Shakespeare scholarship, wider philosophical and socio-political issues, and the general public. Events are held in collaboration with Garrick’s Temple to Shakespeare at the Temple built by the pre-eminent actor David Garrick beside the Thames in 1755.

ShiP’s next event is on 14 June 2025 on ‘Shakespeare and the Slovenian School of Philosophy and Psychoanalysis’—for booking, please register here.

Continue reading


Leave a comment

NEW PUBLICATION: “Singularity’s -Abilities,” a Special Dossier on Samuel Weber, Modern Language Notes: Comparative Literature Issue 139.5 (December 2024)



Dear Friends of CPCT,

We’re pleased to announce the publication of “Singularity’s -Abilities,” a Special Dossier of the Modern Language Notes: Comparative Literature Issue 139.5 (December 2024), which has just been made openly accessible on Project Muse. The dossier collects reworked versions of most of the talks that were delivered at a conference at CPCT (online) and co-organized with Northwestern University in December 2020 in celebration of Samuel Weber’s 80th birthday and in honor of his distinguished career and far-reaching influence on several generations of critical theorists now spread around the globe. The dossier also includes a new piece by Sam entitled “Transference: A Cliché?”.

Continue reading


Leave a comment

Samir Haddad (Fordham): ‘Derrida on Restructuring the University’ (30 April 2025)

‘Derrida on Restructuring the University’
Samir Haddad (Philosophy, Fordham)

a special session of 
‘On Truth and Lies in the Extramoral University’

CPCT Research Seminar 2024-25

Time: Wednesday, 30 April 2025, 4:00-6:00 pm UK time.
Venue: RHB 138 and online

Zoom registration: https://gold-ac-uk.zoom.us/meeting/register/m-qsXjg-SrG5HmiIdhzcNA 

Readings

René Haby, “Pour une modernisation du système éducatif” (esp. pp.1-10) [PDF]; Jacques Derrida, “Divided Bodies: Responses to La Nouvelle Critique” [PDF]; Jacques Derrida, “The Age of Hegel” [PDF]; Jacques Derrida, Jacques Bouveresse, Catherine Malabou, et al., “Report of the Committee on Philosophy and Epistemology (1990)” [PDF]

About the session

In the 1970s and 1980s, Derrida was heavily involved in debates on the place of philosophy in education in France. In this seminar we will read a selection of texts related to two of Derrida’s interventions in this period, with an eye to how they might speak to challenges we now face, several decades later and in different national contexts. The first intervention was precipitated by proposals made in 1974 by the French Minister of Education, René Haby, who sought to “modernize” the curriculum in the lycée. Among Haby’s proposals were calls for more emphasis on the sciences and social sciences over the humanities, greater interdisciplinarity, and the need to better train future workers in the face of rapidly changing technology and systems of communication. In response, Derrida and others sought to rethink the role that philosophy should play in a student’s education, and made various counter-proposals for reform of their own. The second intervention dates to 1989, when Derrida was asked by Pierre Bourdieu and François Gros, themselves charged by the Minister of Education at that time, to co-chair with Jacques Bouveresse a Committee on Philosophy and Epistemology as a part of a larger project aiming to reform French education as a whole. The resulting report develops further the ideas first raised in the 1970s, and constitutes Derrida’s most detailed vision for transforming the teaching of philosophy in France.

About the session leader

Samir Haddad is Associate Professor of Philosophy at Fordham University. He specializes in 20th century and contemporary continental philosophy, particularly French philosophy and deconstruction, and in the philosophy of education. He is the author of Derrida and the Inheritance of Democracy (Indiana, 2013) and is currently working on two research projects, one focused on Derrida’s work on education, and the other on the roles that translation and multilingualism might play in philosophical pedagogy.  


* * * 
About the seminar

CPCT’s annual research seminar meets on a regular basis and is open to centre members, graduate affiliates, and other interested staff and students at Goldsmiths and beyond. It aims to serve as a forum for philosophical work and critical conversation at Goldsmiths.

Taking its inspiration from the title of the famous essay by Friedrich Nietzsche, our research seminar this year poses the following question: what is the contemporary university for? By definition “extramoral” in the sense that it is premised on the pursuit of knowledge without the interference of power and authority—the classical loci of which were Church and State—the modern university nevertheless exists in a world driven by profit, riddled with war, and beset with an ever-unfolding polycrisis of environmental, racial, economic, technological, and geopolitical dimensions. What, then, is the role of the university vis-à-vis its extramorality or, indeed, its moral purpose? We wish in particular to interrogate the university’s role in truth-telling and truth-making, inter alia in relation to the era of post-truth, alt-facts, and now AI technologies that seem to have deeply unsettled classical definitions of knowing, certainty, and consciousness, and to questions of whose truth, when and where truth is that emergent pluricentric views of the world have opened up. “Extramoral” is, of course, also a play on the word “extramural,” and we wish to recall the 2010 student-led debates on the university’s purpose when tuition fees were first introduced. 

Convened by Julia Ng (j.ng[at]gold.ac.uk), Svenja Bromberg (s.bromberg[at]gold.ac.uk), and Sultan Doughan (s.doughan[at]gold.ac.uk).


This year’s sessions will be hybrid; to participate online, please register at the links below each session on the detailed session plan, where you will also find links to the readings. Free and open to the public.


Leave a comment

LECTURE: Ian Balfour (York, Ca.) — ‘Extreme Austen’ (12 March 2025 @4pm, RHB 138 and online)

Ian Balfour (York, Canada)

Extreme Austen

Wednesday, 12 March 2025
RHB 138 and online

Register here for the Zoom link.

With responses from:
Rowan Boyson (KCL)
Paul Hamilton (QMUL)


About the talk

With all the attention lavished on Jane Austen’s fiction with an eye to narrative technique, irony, the marriage plot(s), class and gender relations, and more, a certain aspect of her rhetoric – or that of her characters – tends to be overlooked. Her body of fiction is generally known for its texture and ethos of decorum and propriety and yet the novels feature, on inspection, a pronounced, punctual rhetoric of excess. This talk asks: what is this excessive rhetoric doing? What do we make of it?

About the speakers

Ian Balfour is Professor emeritus of English at York University in Canada. His interests include Romantic poetry and prose, contemporary theory and criticism, and 18th-century literature and philosophy (especially aesthetic theory and philosophy of language). He is the author of Northrop Frye (1988), The Rhetoric of Romantic Prophecy (2002) and of essays on the Romantics (Wordsworth, Blake, Godwin, Inchbald), Walter Benjamin, Paul de Man, and on topics in popular culture (music, TV, film). He co-edited with Atom Egoyan, Subtitles: On the Foreignness of Film, and with Eduardo Cadava, And Justice For All?: The Claims of Human Rights (SAQ), and is the sole editor of a collection called Late Derrida (SAQ). 

Rowan Boyson is Reader in Eighteenth-Century and Romantic Literature at King’s College London, where she specialises in environmental humanities, history of philosophy and political thought, and critical theory and aesthetics. She is currently working on a project entitled The Shared Air: Atmosphere and the Right to Breathe in Enlightenment Britain

Paul Hamilton is Professor emeritus of English at Queen Mary University of London. He specialises in Enlightenment and Romantic thought and the relations between philosophy, political theory, and literature. His monographs include Metaromanticism (Chicago, 2003) which explored historical transformations of the Romantic aesthetic; Coleridge and German Philosophy: The Poet in the Land of Logic (2007); Realpoetik: European Romanticism and Literary Politics (2013), which compares the writings of some major German, French, and Italian Romantics with an eye to their differences from British Romanticism.

Free and open to the public.

Contact: j.ng [at] gold.ac.uk

Handout


Leave a comment

Recordings of the British Academy Conference “Futures of Critique in a Pluricentric World” (July 12-13, 2024)

The recordings for the British Academy / CPCT Conference “Futures of Critique in a Pluricentric World” (July 12-13, 2024) are now available on our YouTube channel:

For more information about the conference (programme, abstracts, speaker bios), please visit: https://daoismandcapitalism.wordpress.com/2024/06/10/public-event-3-futures-of-critique-in-a-pluricentric-world-july-12-and-13-2024/


Leave a comment

BRITISH ACADEMY CONFERENCE: Futures of Critique in a Pluricentric World (12 and 13 July, 2024, Senate House London)




Futures of Critique in a Pluricentric World 

A British Academy conference exploring horizons and methods of a critical theory for the 21st century.

Venue: Stewart House 2/3, Senate House London
Dates: 12 and 13 July, 2024 from 10:00 am to 6:00 pm BST

Taking as its premise the notion that critical languages move multi-directionally between a plurality of centres rather than disseminate from a single, metropolitan axis of power, this conference considers the emergences, conflicts, suppressions, adaptations and mutations of concepts that take place at a distance from the loci traditionally associated with critical theory—metropolitan Europe, North America. The speakers explore, inter alia, cases of conceptual cross-pollinations across worlds and histories beyond the “Global North”; and the influence, facilitated by variously colonial and imperial conditions of linguistic and philosophical translation, of concepts from the “Global South” on the development of critical theory. Broadly construing critical theory to include not only Frankfurt School Critical Theory but also feminist and gender theory, eco-criticism, psychoanalysis, and postcolonial and decolonial theory among others, the conference will have a dual aim: (i) to frame critical theory as a productively unstable entity that retains intelligible markers of its origins in sociopolitical and epistemological “crises”; and (ii) “map” the historical and contemporary diversity of critical keywords, their translations, and the tools they provide us for articulating the emancipatory potentials of vocabularies be they indigenous, hybrid, or global.

Free and open to the public, though registration is required. To register, please visit: https://www.eventbrite.co.uk/e/futures-of-critique-in-a-pluricentric-world-tickets-805233253337.

This event is the third of three associated with Dr. Julia Ng’s British Academy Mid-Career Fellowship project Daoism and Capitalism: Early Critical Theory and the Global South (MCFSS23\230039). Thanks also go to the Centre for Philosophy and Critical Thought ** and Royal Holloway’s Centre for Continental Philosophy for their generous support.

** N.B. Due to the UCU boycott of Goldsmiths and in solidarity with the staff who are currently at risk of redundancy due to the restructure planned by Goldsmiths’ management, this conference has been moved from campus to an alternative location and dissociated from Goldsmiths. We thank you for your understanding and support.

Tentative Programme
(For updates and more information, including abstracts, please visit https://daoismandcapitalism.wordpress.com/2024/06/10/public-event-3-futures-of-critique-in-a-pluricentric-world-july-12-and-13-2024/.)

Friday, 12 July 2024

10:00 Welcome and Introductory remarks — Julia Ng

10:15-11:25 Pang Laikwan (Chinese University Hong Kong) — Sovereign Logic, Decolonial Politics, and The Problematic Logic of Unity

11:30-12:40 Dilip M. Menon (Witwatersrand) — After Decoloniality   

12:40-2:00 Lunch break

2:00-3:10 Sumi Madhok (LSE) — Anti-Imperial Epistemic Justice

3:15-4:25 Carlos Oliva Mendoza (UNAM) — Critique, Baroque, and Capital  

4:30-5:40 Nadia Bou Ali (American University Beirut) — Critique and Scansion

Saturday, 13 July 2024

10:00-11:10 Julia Ng — Critical Space-Times

11:15-12:25 Hourya Bentouhami (Toulouse) — The Language of the Future

12:30-1:30 Concluding roundtable / Q&A

About the speakers

Hourya Bentouhami is a French-Moroccan Associate Professor of Philosophy at Université Toulouse Jean Jaurès, and a member of the Institut Universitaire de France. Her work on political philosophy and phenomenology focuses on the sensorial dynamics of racialization and gender assignment and on forms of economic dispossession as well as on the ways of disobeying them to create new forms of seeing and feeling in a livable world.

Nadia Bou Ali is Associate Professor and Director of the Critical Humanities for the Liberal Arts (CHLA) at the American University of Beirut. She is the author of Hall of Mirrors: Psychoanalysis and the Love of Arabic (Edinburgh University Press, 2020). She is co-editor (with Rohit Goel) of Lacan contra Foucault: Subjectivity, Sex, Politics (Bloomsbury 2018) and of Extimacies: Encounters Between Psychoanalysis and Philosophy (co-edited with Surti Singh), forthcoming from Northwestern University Press. She is also editing the first English translation of Mehdi Amel’s Theoretical Prolegomenon on the Impact of Socialist Thought in the National Liberation Movement: On Contradiction and The Colonial Mode of Production for Brill’s Historical Materialism Book Series. Nadia is a practicing analyst and member of The Lacan School, Bay Area, San Francisco.

Sumi Madhok is Professor of Political Theory and Gender Studies and Head of the Department of Gender Studies at LSE. Her work combines critical theory and ethnographic approaches with a focus on South Asia and is interested in social sciences focused on epistemic interventions from the Global South. Her latest book is Vernacular Rights Cultures: The Politics of Origins, Human Rights and Gendered Struggle for Justice (Cambridge, 2021), winner of the 2022 Susan Strange book award. It also received The International Studies Association’s Lee Ann Fujii Book Prize ‘Honorable Mention’.

Dilip M Menon is a Professor of History and International Relations and the Director of the Centre for Indian Studies in Africa, University of Witwatersrand. He is primarily a social historian of South Asia concerned with questions of caste and inequality. For the past decade he has been concerned with epistemologies from the global south and oceanic histories, and this has resulted in a series of edited volumes on capitalism, oceans, concepts, and cinema. A recent interview with Professor Menon can be found here: https://brill.com/view/journals/phen/8/4/article-p375_3.xml.

Carlos Oliva Mendoza is a writer and a professor at the National Autonomous University of Mexico’s (UNAM) Faculty of Philosophy of Letters, as well as a member of the National System of Researchers (SNI). Among other recognitions, he is the recipient of the International Narrative Award, Siglo XII; the National Award for Young Essay; and the National Award for Literary Essay. He is lead for the research projects “Critical Theory in Latin America” and “Baroque Modernity and Mexican Thought.” His latest published books are Cine mexicano y filosofía, Espacio y capital and Semiótica y capitalismo.

Pang Laikwan is Choh-Ming Li Professor of Cultural and Religious Studies and Chairperson of the Department of Cultural and Religious Studies at Chinese University Hong Kong. Her research spans a broad spectrum of issues related to culture in Modern and Contemporary China and Hong Kong. Her central philosophical project is the exploration of the dynamics between “many” and “one,” manifested in the intersections between culture and politics, copies and models, plurality and unity, as well as democracy and sovereignty. She is the author of a few books, and her scholarship has been recognized internationally. Her books received American Library Association (ALA) Choice 2020 Outstanding Academic Title and Chiang King-Kuo Foundation Publication Award. She herself also received the Discovery International Award offered by Australia Research Council, Research Excellence Award as well as Young Research Award by The Chinese University of Hong Kong.

Julia Ng is Reader in Critical Theory and founding Co-Director of the Centre for Philosophy and Critical Thought at Goldsmiths, University of London. She specialises in philosophical approaches to literature, modern German-Jewish thought, early 20th-century Germanophone literatures in their transnational contexts, and history of critical theory. Recent publications include her translation and critical edition of Walter Benjamin’s “Toward the Critique of Violence” (with P. Fenves; Stanford UP, 2021) and articles in Theory Culture & Society, Paragraph, CR: New Centennial Review, Modern Language Notes, diacritics, and Critical Times. Funded by a British Academy Mid-Career Fellowship, she is currently completing a book on Daoism and Capitalism, which has also received support from the Leverhulme Trust, the Center for Jewish History (NYC), and the British Society for the History of Philosophy.


Leave a comment

PRIVATE SCREENING: Jake Chapman’s “Accelerate or Die!” (2022) — Tuesday, 18 June 2024 @ 16:20 — POSTPONED

The Centre for Philosophy and Critical Thought and the Department of English and Creative Writing’s MA Literary Studies: Pathway in Critical Theory would like to cordially invite you to a private screening of Jake Chapman’s “Accelerate or Die!” (2022).

Where? RHB Cinema
When? Tuesday 18th June from 16:20 – 17:50 ** THIS SCREENING HAS BEEN POSTPONED. WE APOLOGISE FOR ANY INCONVENIENCE.

Event Description

Modernity is collapsing. Extinction is one turn away. The future is not our friend – and it isn’t ours to choose. 

In this context, internationally acclaimed artist, Jake Chapman – of ‘The Chapman Brothers’ – asks the question: Why is it easier to imagine the end of the world than the end of capitalism?

This dynamic, distinctive film will address the current merging of technology, capitalism, and climate crisis through the lens of ‘Accelerationism’ – a loose set of philosophical ideas that in part emerged from Goldsmiths. 

Featuring Maya B Kronic, Amy Ireland, Will Self, Jeanette Winterson, and Goldsmiths’ own Will Davies (Politics), this unique documentary invites its audience to ‘buckle up and enjoy the ride’ in a thrilling visual assault of art, generative AI, and fresh, thought-provoking perspectives.

Trailer: https://supercollider.global/our-work/accelerate-or-die/

Free and open to Goldsmiths students, staff, alumni/ae, and friends and affiliates of CPCT. Please RSVP to AOD@SPRCLDR.com.

Event Schedule

Short intro – 16:20 – 16:30
Screening – 16:30 – 17:30.
Q&A – 17:30-17:50.

The event will be introduced by and feature a Q&A with Mungo Dodd, a 2021 Goldsmiths alumnus of the Department of English and Creative Writing’s MA Literary Studies: Pathway in Critical Theory, who worked on the film and will be happy to talk with any students who are looking to get into film and television as a career path.

Contact: mungo.dodd [at] supercollider.global