The Centre for Philosophy and Critical Thought, Goldsmiths University of London

Research Centre based in Sociology and run jointly with the Centre for Cultural Studies at Goldsmiths University, London

Whither Topology. On structure and order in Homo Sacer.

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A Contribution by Peter Fenves (external affiliate and recent guest at CPCT in April 2016) to Homo Sacer: A Blog Series at Stanford University Press. 

 

Read the full article here

Excerpt: As Agamben “abandons” the Homo Sacer project with the publication of The Use of Bodies, there arise a number of questions concerning the former’s seriality. What, for instance, governs the order and numbering of the volumes? And is the series ultimately convergent or divergent? Questions of this kind extend beyond the Homo Sacer project. As early as his first book, Stanzas, Agamben launches an inquiry into certain “zones of indetermination” that he would specify and develop under the “homo sacer” rubric. What first emerges from a retrospective glance at Stanzas, however, is not so much the intimation of a more expansive series as the surprising importance Agamben attributes to another term of mathematical modernity, namely topology, for, from the perspective of topology, the opening sections of the Homo Sacer project can be seen as a repetition of the Introduction to Stanzas.

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