
TRAGEDY AND PHILOSOPHY
Centre for Philosophy and Critical Thought
Annual Conference 2021
Goldsmiths, University of London
2-4 and 9-11 June, 2021
3:30-7:30pm BST, online
Keynotes: Miriam Leonard (UCL), Manfred Posani Löwenstein (Istituto Italiano per gli Studi Storici), Tina Chanter (Newcastle), Jeremy Glick (Hunter College, CUNY), Rebecca Comay (Toronto)
Register here for each session.
[**NB: Scroll down to see all 6 dates on the registration page.]
DESCRIPTION:
Pivotal for the history of aesthetics are the encounters between philosophy and tragedy that span from Ancient Greece to the decolonizing Caribbean. Ever since its infamous exclusion in Plato’s Republic and its theorisation in Aristotle’s Poetics, tragedy has played a number of often contrasting roles in philosophy’s own self-understanding. Tragedy has variously been conceived as an origin of philosophical (and dialectical) thought, as a limit to philosophy’s efforts at intellectual sovereignty, as well as a constant source of ethical exemplification and conceptual instruction. While conscious of the stakes of philosophy’s image of tragedy, this conference will try to expand its purview to look beyond and beneath a late-eighteenth early-nineteenth century idea of the tragic which has often come to saturate reflection on this relationship. Tragedy and Philosophy will therefore also seek to consider a variety of themes that transcend the equation between tragedy and the tragic, including: the contribution of anthropology and history to an understanding of the specificity of Greek tragedy; the place of femininity, lament and conflict in ancient Greek tragedies; the relation between music and words in tragedy, and its philosophical significance (including in tragedy’s repetition by modern opera); the early modern emergence of a poetics of tragedy irreducible to Aristotelian and Idealist or Romantic variants; tragedy as a reflection on sovereignty; tragedy as an art intimately linked to moments of crisis and transition.
This virtual conference is organised in sessions distributed over six days. Each panel will take place from 3:30-5:30pm BST and each keynote address from 6:00-7:30pm BST. Sessions will be followed by a discussion. A concluding roundtable will close the conference.
PROGRAMME:
(Click here for full abstracts and bios.)
June 2 – Day 1: The Languages of Tragedy
Karen Bassi (UCSC) – Tragedy, Philosophy, and the Fear of Death
Edward Guetti (Hunter College, CUNY) – Disaster Realism: Between Felicitous and Tragic Conditions
Juliane Prade-Weiss (LMU Munich) – Ta(l)king Revenge: The Scandal of Lament in Tragedy
Malte Fabian Rauch (Leuphana) – Tragic Differing, Discordant Times: Reiner Schürmann’s Ruins
Keynote 1. Miriam Leonard (UCL) – Genres of Revolution [CANCELLED DUE TO UNFORESEEN CIRCUMSTANCES]
June 3 – Day 2: On the Edges of the Tragic
Chad Córdova (Emory) – Beyond Tragic Teleology: Montaigne, Life Without End
David Takamura (Duke) – Schopenhauer’s Hamlet: The Tragic That Is Not Tragedy
Alice Giordano (Vita-Salute San Raffaele) – The Role of Rhythm in Nietzsche’s The Birth of Tragedy
Carol Dougherty (Wellesley) – Tragedy as Metoikia
Keynote 2. Manfred Posani Löwenstein (Istituto Italiano per gli Studi Storici) – Nietzsche and the Tragedy of Reason
June 4 – Day 3: Antigone & Co.
Matthias Fritsch (Concordia) – Antigone in the Anthropocene: A reading of Sophocles’ Antigone in view of Environmental and Intergenerational Relations
Fanny Söderbäck (DePaul) – Fantastic Antigones: The Tragic Legacy of Trans Grief
Agatha A. Slupek (Chicago) – “Moaning, only moaning? What will I do?”: Aeschylus’ Eumenides and the Feminist Critique of Legalism
Yi Wu (Dartmouth) – “Guiltless though the guilt is still mine”: The Impotentiation of Truth in Euripides’ Helen
Keynote 3. Tina Chanter (Newcastle) – Unsilencing the Doubly Silenced Ground of The Tempest: Taking up Wynter’s Reading of Miranda and Caliban
June 9 – Day 4: Tragedy, Liberation, Reparation
Letizia Fusini (SOAS) – Modern or Rather Traditional? Rethinking Tragedy in Early-Republican China
Dana MacFarlane (Edinburgh) – Michel Leiris’s Manhood: Tragedy and Authenticity
Jackqueline Frost (ITEM-CNRS/ENS) – Jean Genet, Lucien Goldmann and Anti-colonial Tragedy
Mario Telò (Berkeley) – Hecuba, or Tragedy’s Anarchivic Aesthetics
Keynote 4. Jeremy Glick (Hunter College, CUNY) – Coriolanus, Lumumba, and Tragedy: Laboratories of Faction/Laboratories of Research
June 10 – Day 5: Tragedy, Time and History
Erik Doxtader (South Carolina) – Suffering (Last) Words for Wisdom, or, Tragedy Recognizing Language
Agata Bielik-Robson (Nottingham) – Jewish Readings of Greek Tragedy: Cohen, Lukács, Rosenzweig, Benjamin
Freddie Rokem (Tel Aviv/Chicago) – Walter Benjamin and the Enigmatic Stranger
Tamara Tagliacozzo (Roma Tre) – Tragedy, Trauerspiel and Music in Walter Benjamin
Keynote 5. Rebecca Comay (Toronto) – Lumpendialectic — or, Tragedy and Revolution (again)
June 11 – Day 6: Tragedy, Theology and Revolution
Beth Harper (Hong Kong U) – Renaissance Drama and Tragic Theology: a reading of Théodore de Bèze’s Abraham sacrifiant (1550) and George Buchanan’s Jepthes sive votum (1554)
Dimitris Vardoulakis (Western Sydney) – Tragedy or the Paradox of Practical Judgment?: Heidegger on Tragedy, Ethics and Politics
Gabriele Schimmenti (Roma Tre) – Bruno Bauer’s Critical Theory of Tragedy: The Aesthetics of Collision
Filippo Menozzi (Liverpool John Moores) – “Picking the Fruits of a Premature Condition”: Tragedy, History and Defeat in the Philosophy of Ernst Bloch
Closing roundtable discussion with keynote speakers
All welcome.
Organised by Alberto Toscano and Julia Ng