The Centre for Philosophy and Critical Thought, Goldsmiths University of London

Research Centre run jointly between the Departments of Sociology and English and Comparative Literature at Goldsmiths University, London


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TRAGEDY AND PHILOSOPHY: CPCT Annual Conference 2021 (2-4 and 9-11 June, online)

TRAGEDY AND PHILOSOPHY

Centre for Philosophy and Critical Thought
Annual Conference 2021
Goldsmiths, University of London

2-4 and 9-11 June, 2021
3:30-7:30pm BST, online

Keynotes: Miriam Leonard (UCL), Manfred Posani Löwenstein (Istituto Italiano per gli Studi Storici), Tina Chanter (Newcastle), Jeremy Glick (Hunter College, CUNY), Rebecca Comay (Toronto)

Register here for each session.

[**NB: Scroll down to see all 6 dates on the registration page.]

DESCRIPTION:

Pivotal for the history of aesthetics are the encounters between philosophy and tragedy that span from Ancient Greece to the decolonizing Caribbean. Ever since its infamous exclusion in Plato’s Republic and its theorisation in Aristotle’s Poetics, tragedy has played a number of often contrasting roles in philosophy’s own self-understanding. Tragedy has variously been conceived as an origin of philosophical (and dialectical) thought, as a limit to philosophy’s efforts at intellectual sovereignty, as well as a constant source of ethical exemplification and conceptual instruction. While conscious of the stakes of philosophy’s image of tragedy, this conference will try to expand its purview to look beyond and beneath a late-eighteenth early-nineteenth century idea of the tragic which has often come to saturate reflection on this relationship. Tragedy and Philosophy will therefore also seek to consider a variety of themes that transcend the equation between tragedy and the tragic, including: the contribution of anthropology and history to an understanding of the specificity of Greek tragedy; the place of femininity, lament and conflict in ancient Greek tragedies; the relation between music and words in tragedy, and its philosophical significance (including in tragedy’s repetition by modern opera); the early modern emergence of a poetics of tragedy irreducible to Aristotelian and Idealist or Romantic variants; tragedy as a reflection on sovereignty; tragedy as an art intimately linked to moments of crisis and transition.

This virtual conference is organised in sessions distributed over six days. Each panel will take place from 3:30-5:30pm BST and each keynote address from 6:00-7:30pm BST. Sessions will be followed by a discussion. A concluding roundtable will close the conference.

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