The Centre for Philosophy and Critical Thought, Goldsmiths University of London

Research Centre run jointly between the Departments of Sociology and English and Comparative Literature at Goldsmiths University, London


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Jan Mieszkowski: No Slogans! One-Liners from Marx to Adorno

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Jan Mieszkowski (Reed) discusses the political promise held–and betrayed–by the radical utterance par excellence: the slogan.

9 Jun 2016
5:00pm – 7:00pm
137, Richard Hoggart Building

Today we tend to regard political slogans as virtually indistinguishable from the buzzwords of the advertising world. It may therefore come as something of a surprise to realize that in the nineteenth and early twentieth centuries, mottos and catchphrases were routinely deemed crucial to radical praxis. In this talk, I argue that the vexed pedigree of the modern slogan—alternately hailed as the richest and the most vacuous of speech acts—is one facet of a longstanding philosophical concern with according “one-liners” too much authority. If slogans hold out the promise of a discourse no longer governed by traditional figures of predication and negation, they also threaten to undermine the very possibility of legitimating one’s cause by saying something about it. The revolutionary—be it Luxemburg, Lukács, or Lenin—thus finds herself in the uncomfortable position of not knowing how to share the insight that the truly radical utterance may not share anything at all.

Jan Mieszkowski is Professor of German and Humanities at Reed College, USA. His first book, Labors of Imagination: Aesthetics and Political Economy from Kant to Althusser (Fordham University Press, 2006), explores the doctrine of human productivity that emerges at the intersection of the traditions inaugurated by Immanuel Kant’s Critique of Judgment and Adam Smith’s The Wealth of Nations. His second book, Watching War (Stanford University Press, 2012), offers a new theory of battlefield spectatorship since the Napoleonic era. He is currently completing a new book called Crises of the Sentence.


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Samir Haddad (Fordham) on Professing Philosophy after ’68: Bourdieu/Passeron, Derrida, Lyotard

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A seminar with Prof. Samir Haddad (Fordham) on what it means — intellectually, institutionally, politically — to “do philosophy” in the classroom after May 1968 and today.

7 Jun 2016
3:00pm – 6:00pm
Cinema, Richard Hoggart Building

A CPCT special seminar with Samir Haddad (Fordham), in conversation with Andrew Parker (Rutgers).

The decade following May 68 saw a series of reforms and counter-reforms made to the French education system, together with a flurry of philosophical writing on matters of education. In this seminar we will examine three engagements with the idea of a professor, by Bourdieu and Passeron, Derrida, and Lyotard, with the aim of both better understanding the French system at the time and provoking philosophical reflection on the chances and risks, the conditions and the demands we invariably meet with as students and teachers in the philosophy seminar room.

Discussion will be based around three texts that provide both traditional and alternative accounts of the teaching of philosophy: Bourdieu and Passeron’s Reproduction (1970), Derrida’s “Where a Teaching Body Begins and How it Ends” (1976) and Lyotard’s “Endurance and the Profession” (1978).

For copies of the texts please contact j.ng@gold.ac.uk or visit the link below.

Click here for copies of the texts under discussion.


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The Insistence of the Possible: Symposium with Isabelle Stengers (Day 2)

Stengers-Sociology_Event_Poster_Final_A3_updated.jpgA two-day Symposium with Isabelle Stengers and Goldsmiths academics

19 May 2016
2:00pm – 6:00pm
PSH 314, Professor Stuart Hall Building

These two symposia will explore the development of Isabelle Stengers’ most recent work, and will engage with her and the audience in conversations about many of her influential concepts and propositions. The two days will consist of brief interventions by Goldsmiths staff members that will focus around a selection of her most recent essays. These will be followed by conversations with Stengers as well as with members of the audience.
The second day will explore her call for ‘(re)learning the art of paying attention’, in connection to questions of ontological politics, capitalism, and political ecology.

Discussants: Vikki Bell (Sociology), Monica Greco (Sociology) and Marsha Rosengarten (Sociology)

Register Here


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The Insistence of the Possible: Symposium with Isabelle Stengers (Day 1)

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A two-day Symposium with Isabelle Stengers and Goldsmiths academics

18 May 2016
2:00pm – 6:00pm
PSH 314, Professor Stuart Hall Building

These two events will explore the development of Isabelle Stengers’ work, and will engage with her in conversations about many of her influential concepts and propositions. The two days will consist of brief interventions by Goldsmiths staff members that will focus around a selection of her most recent essays. These will be followed by conversations with Stengers as well as with members of the audience.

Each day of discussions will explore specific aspects of Stengers’ work. The first day will centre around Stengers’ development of a speculative philosophy concerned with a risky and situated experimentation with possibles, as well as her plea for slow science.

Discussants: Luciana Parisi (Cultural Studies), Martin Savransky (Sociology), and Alberto Toscano (Sociology)

Register Here


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On Justice: Variations On a Theme Borrowed From Benjamin in 1916 (II)

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Variation Two: Massimiliano Tomba (Padova) reconsiders Benjamin’s idea of justice as a transformative form of anticipation that carries its own criterion of its rightness.

28 Apr 2016
1:00pm – 6:00pm
LG01, Professor Stuart Hall Building

In the second of this two-part event, Massimiliano Tomba will reconsider Benjamin’s idea of divine violence—made famous in the essay “Towards the Critique of Violence”—as a form of anticipation that might be politically transformative because it carries its own criterion of its rightness.

Massimiliano Tomba is Professor of Political Philosophy at the University of Padova. His research focuses mainly on modern German philosophy, critical theory and globalization. He is co-organizer of an initiative titled ‘Next Generation Global Studies (NGGS)’ which aims at reconsidering predominant schemes of interpretation of global societies in order to overcome prevailing Eurocentric perspectives of political space and time. His work has involved theorists such as Kant, Hegel and post-Hegelian thought, Marx, Walter Benjamin, and Theodor Adorno. Among his  publications are Krise und Kritik bei Bruno Bauer. Kategorien des Politischen im nachhegelschen Denken, Frankfurt am Main, Peter Lang, 2005; La vera politica. Kant e Benjamin: la possibilità della giustizia, Macerata, Quodlibet, 2006; Marx’s Temporalities, Leiden, Brill, 2013.


In October 1916, Gershom Scholem copied into his diary a passage “from a notebook Walter Benjamin lent [him]” under the heading, “Notes Toward a Work on the Category of Justice.” Never included in either the two-volume or the seven-volume collected works and only reappearing upon publication of Scholem’s diaries, these “Notes” nonetheless represent a crucial juncture in the development of Benjamin’s thinking on the political. From one direction, the “Notes” are the culmination of intense discussions between Benjamin and Scholem on the concept of historical time, which issued into a number of important reflections on tragedy, time-reckoning, and language. In the other direction, the “Notes” inaugurated a series of objections and responses between the two friends that include Scholem’s own set of theses on the category of justice from 1919 and 1925, Scholem’s writings on Jonah, and texts surrounding Benjamin’s discussion of law and violence that come to a head with a number of fragments on lying circa 1923.

Using the “Notes Toward a Work on the Category of Justice” as its point of departure, this two-part event takes up the invitation to read together a “convolute” of shorter or lesser-known texts that contribute to a larger theme that Benjamin did not perhaps execute fully, but therefore provides a new context for understanding better known writings such as the Language essay or “Towards the Critique of Violence.” Each day will pivot around a variation on the theme, with presentations and seminar-style discussion based on pre-circulated texts.

For more information on the schedule and for a copy of the texts please visit https://benjaminonjustice.wordpress.com/


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Whither Topology. On structure and order in Homo Sacer.

A Contribution by Peter Fenves (external affiliate and recent guest at CPCT in April 2016) to Homo Sacer: A Blog Series at Stanford University Press. 

 

Read the full article here

Excerpt: As Agamben “abandons” the Homo Sacer project with the publication of The Use of Bodies, there arise a number of questions concerning the former’s seriality. What, for instance, governs the order and numbering of the volumes? And is the series ultimately convergent or divergent? Questions of this kind extend beyond the Homo Sacer project. As early as his first book, Stanzas, Agamben launches an inquiry into certain “zones of indetermination” that he would specify and develop under the “homo sacer” rubric. What first emerges from a retrospective glance at Stanzas, however, is not so much the intimation of a more expansive series as the surprising importance Agamben attributes to another term of mathematical modernity, namely topology, for, from the perspective of topology, the opening sections of the Homo Sacer project can be seen as a repetition of the Introduction to Stanzas.


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Against Fate

Alberto Toscano, talk delivered April 20 at the CPCT workshop ‘On Justice: Variations on a Theme from Walter Benjamin in 1916 (I)’:

 

Read the full article here

The following remarks are at a slight, but I hope illuminating, tangent from the ‘convolute’ of texts we’ve gathered to discuss. In brief, I want to sketch some thoughts starting from another text of Benjamin’s from 1916, namely the short unpublished reflection on ‘Trauerspiel and Tragedy’, and to do so in part by bringing into relief and into contrast the relation of Benjamin’s early reflections on tragedy to Georg Lukács’s 1910 essay ‘The Metaphysics of Tragedy’ from Soul & Form, a text which, by Scholem’s own recollection, was of considerable significance to his friend. I want to think through how the approach to justice as a concern of tragedy – perhaps as the concern of Attic tragedy, especially in Aeschylus’ Oresteia, an abiding reference for Benjamin – might inflect our considerations of the messianic or political-theological interrogation of justice.


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On Justice: Variations On a Theme Borrowed From Benjamin in 1916 (I)

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Variation One: Peter Fenves (Northwestern) discusses Benjamin’s concept of justice in relation to whether there can ever be a thing rightfully possessed.

20 Apr 2016
1:00pm – 6:00pm
Lecture Theatre, Ben Pimlott Building

In the first of this two-part event, Peter Fenves discusses the provenance of Benjamin’s notes on justice in Kant’s Doctrine of Right, and asks, with Benjamin, whether there can ever be a thing rightfully possessed.

Peter Fenves, Joan and Sarepta Harrison Professor of Literature, is professor of German, Comparative Literary Studies, and Jewish Studies as well as adjunct professor of Philosophy, Political Science, and English. He is the author of A Peculiar Fate: Metaphysics and World-History in Kant (Cornell University Press, 1991), “Chatter”: Language and History in Kierkegaard (Stanford University Press, 1993), Arresting Language: From Leibniz to Benjamin (Stanford University Press, 2001), and Late Kant: Towards Another Law of the Earth (Routledge, 2003), which was translated into German in 2010; and most recently The Messianic Reduction: Walter Benjamin and the Shape of Time (Stanford University Press, 2010).


In October 1916, Gershom Scholem copied into his diary a passage “from a notebook Walter Benjamin lent [him]” under the heading, “Notes Toward a Work on the Category of Justice.” Never included in either the two-volume or the seven-volume collected works and only reappearing upon publication of Scholem’s diaries, these “Notes” nonetheless represent a crucial juncture in the development of Benjamin’s thinking on the political. From one direction, the “Notes” are the culmination of intense discussions between Benjamin and Scholem on the concept of historical time, which issued into a number of important reflections on tragedy, time-reckoning, and language. In the other direction, the “Notes” inaugurated a series of objections and responses between the two friends that include Scholem’s own set of theses on the category of justice from 1919 and 1925, Scholem’s writings on Jonah, and texts surrounding Benjamin’s discussion of law and violence that come to a head with a number of fragments on lying circa 1923.

Using the “Notes Toward a Work on the Category of Justice” as its point of departure, this two-part event takes up the invitation to read together a “convolute” of shorter or lesser-known texts that contribute to a larger theme that Benjamin did not perhaps execute fully, but therefore provides a new context for understanding better known writings such as the Language essay or “Towards the Critique of Violence.” Each day will pivot around a variation on the theme, with presentations and seminar-style discussion based on pre-circulated texts.

For more information on the schedule and for a copy of the texts please visithttps://benjaminonjustice.wordpress.com/

Click here for further information.


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Politics Between Narcissism and Negativity

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What is the link between desire and exploitation, and what does it mean for political thought?

14 Mar 2016
6:00pm – 7:30pm
137a, Richard Hoggart Building

One of the earliest discoveries of psychoanalysis concerned the intimate relation of the social structures and the unconscious mechanisms. Jacques Lacan later reframed this connection by speaking of homology between political and libidinal economy. In this way, he indicated that psychoanalysis significantly widened the space, in which critical thought and emancipatory politics should intervene in order to intensify the possibilities of a social change. The talk will begin by discussing two concepts, which demonstrate a wide-reaching link between Marx and Freud’s critical projects, before passing on to more general examination of the link between libidinal bonds and mechanisms of exploitation.

Samo Tomšic is the author of The Capitalist Unconscious: Marx and Lacan, and is currently research assistant in the interdisciplinary cluster “Image Knowledge Gestaltung” at the Humboldt University in Berlin.

All welcome. No need to book.


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Benjamin and the Literary: Romantic Forms

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A Walter Benjamin London Research Network conference of new work on Benjamin’s doctoral thesis on Romanticism, followed by a workshop on its most influential interpretations.

11 Mar 2016
10:00am – 6:00pm
302, Hatcham House (St James 19)

Benjamin’s doctoral dissertation, The Concept of Criticism in German Romanticism, has long functioned not only as a lens through which to synthesize the theories of art and knowledge in early Romanticism, but also as a cornerstone for understanding Benjamin’s own theories and practices of criticism. In harnessing his affirmation of criticism’s ability to unfold the potential immanent to works of art, such readings proffer upon the dissertation an undeniable political and historical force. Departing from ‘the literary’ both as a conceptually privileged mode of expression and as a configuration of linguistic experience, this workshop brings together emerging scholars with the aim of directing attention to under-analyzed aspects of Benjamin’s early work on criticism and critique, and to the possible articulations of politics and history contained therein. Presentations will focus on: the relation between criticism, philosophy and literature; irony; the afterlives of Benjamin’s dissertation; allegory and the Baroque. This will be followed by a workshop on the dissertation and selected readings.

Conference website